It’s a really nice way to break up the soundtrack too, as the back end of this focuses predominantly on Vanya, with a flurry of violin solos and epic tracks. The songs Klaus and Hazel and Dolores are a great example of this, adopting a more playful style with rising motifs that sound mischievous, complemented by the woodwind instruments. There’s a good mixture of tones in here too, reinforcing the quirky feel to the series itself. This song ultimately acts as the anchor for the entire soundtrack too, with everything following that dominated by stringed and wood instruments. This driven track rises up before falling into a slowed segment including a piano and light string elements that eventually build up a crescendo, finally slamming into an exciting violin solo. While the soundtrack as a whole is well worked into the 10 episodes, it’s the rock-violin influenced score that really ties everything together.īeginning with the opening introduction to the series, Russia 1989, the score weaves light elements of stringed instruments together before the main theme, and one of the stand-out tracks here, The Umbrella Academy. Composed by Jeff Russo, Netflix’s superhero flick The Umbrella Academy’s score was somewhat dwarfed by the eclectic selection of pop anthems dotted through the series.
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